Returning to those startling early images of Medusa, with her bared teeth and frightful snake hair, there’s a narrative here on how transforming her into something benignly ornamental was another level of control.
Returning to those startling early images of Medusa, with her bared teeth and frightful snake hair, there’s a narrative here on how transforming her into something benignly ornamental was another level of control.Tags: Area And Perimeter Problem Solving WorksheetsEssay Exam Essay TestArgumentative Essay Against CensorshipWriting College Acceptance EssaysExamples Of A Research Paper IntroductionAndersonville Prison Research PaperImportance Science And Technology EssaysHelp With 5th Grade Math HomeworkAmcas EssayCompare Contrast Essay Two Vehicles
These later images may have lost the gaping mouth, sharp teeth, and beard, but they preserve the most striking quality of the Gorgon: the piercing and unflinching outward gaze.”On a chariot-pole finial from 1st-2nd century Rome, Medusa is almost angelic with her flowing hair (and a pair of snakes peeking through her tresses), yet her penetrating eyes of inlaid silver recall her petrifying gaze.
On funerary urns or armor, she was a talisman of protection, those eyes symbolically warding off evil.
boldly mingles objects from across centuries in the compact exhibition.
While the wild red locks of Edvard Munch’s 1902 lithograph “The Sin (Woman with Red Hair and Green Eyes),” or Dante Gabriel Rossetti’s “Lady Lilith” (1867) with the Pre-Raphaelite subject brushing her long hair, are more of a stretch in the narrative, they reinforce the ongoing artistic portrayal of women as dangerous through their looks or power.
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Even into the 19th century, as the romanticization continued, her eyes did not close.
An early 1800s plaster cast from the studio of Antonio Canova shows preparation for the marble statue that now presides over the Met’s European Sculpture Court.
Her writhing hair of serpents became wild curls, with maybe a couple of serpents beneath her chin to hint at her more bestial origins.
Today Medusa, with her snake hair and stare that turns people to stone, endures as an allegorical figure of fatal beauty, or a ready image for superimposing the face of a detested woman in power.