Country Music Essays

Country Music Essays-79
Making Country Modern: The Legacy of Modern Sounds in Country and Western Music / Diane Pecknold 823.Contested Origins: Arnold Schultz and the Music of Western Kentucky / Erika Brady 1004. Why African Americans Put the Banjo Down / Tony Thomas 1436.

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Much like many other types of longstanding music genres, it’s gone through it’s fair share of ups and downs.All in all, this is certainly a worthwhile text on the shelf of music historians engaged in modern American music." — Kenneth H.Marcus, Journal of African American History "Hidden in the Mix is a comprehensive and worthy addition to the canon of popular music history. By looking at both historical traditions (the banjo, early blues-hillbilly music) and contemporary cultural phenomena (hick-hop and country pop), as well as African American artists past and present (Bill Livers, Ray Charles, Cowboy Troy), the book greatly expands our knowledge of this intriguing subject." — Holly George-Warren, author of Public Cowboy No.Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues."Contributors.Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever“Diane Pecknold rounds up some of the better music writers in academia in order to put a light on country's many black roots and the country's unease with said roots.Troutman, ARSC Journal“Hidden in the Mix accomplishes far more than documenting, as its subtitle suggests, ‘the African American presence in country music’; it lays down a marker challenging the next generation of researchers to conduct more flexible investigations of country’s variegated borderlines,which will require increasing participation in their own methodological version of ‘crossover’ practices.” — Pamela Fox, Journal of Popular Music Studies"All in all, this volume succeeds in shedding quite a bit of light on the 'playing in the dark' theme in both senses: the important role of many hitherto obscure African American musicians in the creation of country music is made clear as is the process of how several important infusions from the 'black' musical stream have continually enriched the genre, producing new crossover variations...contributors here write from a cultural studies or ethnographic perspective that is quite accessible, and this book should win readers beyond the circle of specialists in the study of popular music while also being a valuable addition to the literature of the field." — John Miller Jones, Kritikon Litterarum"[T]here is much that is new to specialists and non-specialists alike in this volume.Golden nuggets are distributed throughout that are bound to surprise or intrigue even those with a strong footing in the field.After a slump in the 1940’s, Country music saw a revival in the 1950’s thanks to something called the “Nashville Sound.” During this time, country music underwent an evolution in which it would incorporate many elements in an attempt to widen its appeal to a much larger audience.This lead to a period of prosperity and popularity for the country music genre which would last for at least a decade.She is the author of The Selling Sound: The Rise of the Country Music Industry, also published by Duke University Press, and editor (with Kristine M.Mc Cusker) of A Boy Named Sue: Gender and Country Music. Country Music and Racial Formation / Diane Pecknold 1Part One. Black Hillbillies: African American Musicians on Old-Time Records, 1924–1932 / Patrick Huber 192.

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