In his master piece “The Renaissance of India” Aurobindo points out in nineteenth century had three aspects.Tags: School Food EssayFree Online Paper WriterIs Technology Good Or Bad EssayOnline Phd Thesis UkResearch Paper On Denial Of Service AttackCollege Life EssayEssay About Blanche From A Streetcar Named DesireDissertation MusikCritical Analysis Essay Outline
There is “bad” music (from the standpoint of art) which is harmless, and on the other hand there is music by some of the best composers which can be definitely harmful.
It is not a paradox to state that music of a harmful character; the more expressive it is aesthetically the more dangerous it can be.
In some extreme cases, when listeners are abnormally sensitive, music can be the cause of serious troubles. Mac Donald Hastings, who in his study on “Musicogenic Epilepsy” mentions twenty cases, eleven of them his own patients, in which epileptic fits were brought on by music. Such contrasts can be variously appraised from the aesthetic point of view, but they certainly cannot be approved from the medical standpoint.
Also the excessive amount of music at long concerts, showered upon the listeners, can cause nervous fatigue and psychological indigestion.
The kinds of music apt to produce injurious effects are manifold.
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First, there is the music that arouses the instincts and appeals to the lower passions, that excites by its sensual enchantment.Thus, a piece that is disturbing and upsetting to one person may have no or little injurious effect on another; for instance, a listener who is sensitive to music and whose passions are strong and not under control, will be influenced in a very different way from a listener of the intellectual type who is emotionally cold and unresponsive. There is then the manner of the arrangement of the concert program, when different and often opposite impressions, experienced in immediate succession, arouse confusing and conflicting emotions.If a person is in love, he will be much more disturbed and excited by erotic music than when his passion is dormant or when it has burned itself out, leaving only the cold ashes of disappointment. Not seldom does it happen in concerts that the soothing effect of a piece will be destroyed by the exciting nature of the one that follows; the cheerful stimulation of a third piece is neutralized by the depressing influence of a fourth, and so on.The entire religious structure had to seriously face the test of rationality.The assertion of human dignity and conscience became the gospel of the awakening.The reformers saw change not as a slow adaptive process, but as a positive value in itself.The religious reformers made it a point to extend the principle of individual liberty to the sphere of religion.The principles of individual liberty and human equality became the main spirit behind the reform.The dominant features of socio-political thought in colonial India were liberalism, nationalism and rationalism.Perhaps they have developed an immunity to its effect but if they have not, and if the mass production of this aural drug is not curtailed, we may find ourselves a nation of neurotics which even the skill of the psychiatrist may be hard pressed to cure.It seems, therefore, only poetic justice that musical therapeutics should develop at least to the point where music may serve as an antidote for itself.”Music, even when it is not directly stimulating the passions nor inducing depression and discordance, can be harmful owing solely to the fact that it arouses and nourishes an excessive state of emotion which, when it is not transmuted into constructive activity, weakens the character.