Essays On Because I Could Not Stop For

Essays On Because I Could Not Stop For-80
This becomes even more obvious when one recognizes that at the end of the poem, when the narrator is describing "a House that seemed / A Swelling of the Ground," she is describing something akin to a stone burial vault, which were built into the ground and "had a stone slab or corbelled roof, a back wall, and a dry-stone facade with a portal closed by a door," which was then covered with sod "and grassed over" (Abbott, 2000, p. This fact has led some scholars to interpret Death in this poem to be an undertaker or funeral director, but one need not be that literal in order to determine the message of the burial vault.

This becomes even more obvious when one recognizes that at the end of the poem, when the narrator is describing "a House that seemed / A Swelling of the Ground," she is describing something akin to a stone burial vault, which were built into the ground and "had a stone slab or corbelled roof, a back wall, and a dry-stone facade with a portal closed by a door," which was then covered with sod "and grassed over" (Abbott, 2000, p. This fact has led some scholars to interpret Death in this poem to be an undertaker or funeral director, but one need not be that literal in order to determine the message of the burial vault.

Wise men resist the coming of death precisely because "their words had forked no lighting," while good men cry because "their frail deeds" are insignificant in the face of the constant motion of the waves.

Even the "wild men who caught and sang the sun in flight" learned "too late" that they were grieving "it on its way," and blazing meteors are the image to which "grave men, near death," aspire, as if their dying eyes could exhibit a burst of fire before closing forever.

Although Thomas sticks with a strict ABAB rhyme scheme and Dickinson does not deploy any obvious rhyme, the poems nevertheless share a similar rhythm due to their similar structure.

In addition, they both depend on images of human activity contrasted against the backdrop of nature, and in particular use the movement of the sun as a means of describing the ending of a life.

Even before discussing the content of either poem one may note their formal and stylistic similarities.

Both poems are six stanzas long with just a few lines in each stanza (four per stanza in Dickinson and three per stanza in Thomas, except for the last which features four lines).Thus, where Thomas uses the action of nature to highlight humanity's weakness in the face of death, Dickinson presents humanity's actions as a kind of exception to the death that is an integral part of nature. Human activity, apart from nature, is the one thing that can intentionally defy death, and thus is more powerful and important than anything nature has to offer. Robert Frosts poem, Home Burial, and Emily Dickinsons poems, I felt a Funeral in my Brain, and I died for Beauty, are three poems concerning death.While the theme is constant there are differences as well as similarities between the poets and their poems.Thomas uses this language of nature to simultaneously demonstrate the insignificance of human action in the face of the wider world while dramatizing the coming darkness, where even the sun, lightning, meteors, and waves will simply cease to shine.Dickinson also uses nature imagery in her poem, but in a slightly different way. Dylan thomas's "do not go gentle into that good night": Through "lapis lazuli" In "Do not go gentle into that good night," Thomas argues that "old age should burn and rave at close of day," implying that individuals should not give in to death easily (Thomas line 2).Furthermore, because death is the event which has not happened yet, and all evidence indicates that everything that makes up a person ends with death and the shutdown of the human body (such as memory and personality), this event is viewed with extra apprehension, mystery, and fear.Even if there is some sort of afterlife, the living have no access to it, and so for all intents and purposes death means the end of the story, at least for the person living it.Human activity is still contrasted against the movements of nature, but in this case the contrast is not a negative one; in other words, the indifference of nature actual highlights the meaning of human action. In order to prove his point, and convince his father to fight for his life, Thomas provides various examples of men from all walks of life, who regardless of their past fought to live Thomas-Dickinson Perspectives of Death "Do Not Go Gentle Into That Good Night" is one of Dylan Thomas's most recognized poems.As the narrator is riding with Death "And Immortality," their carriage passes a school with children playing, before they move on to "the Fields of Gazing Grain" and "the Setting Sun." Obviously the playing children serve as a dramatic counterpoint to the passage into death, but arguably more important is the way Death's carriage moves from the children to fields of grain, and finally to the setting sun. In the poem, he urges his father to fight against death even though it is something that everyone must at some point in his or her lives have to accept.

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